AC/DC @ Stade de France (09/08/25) – Reports – RockUrLife

AC/DCit is one of the last great sacred monsters in the hard rock universe. Consequently, Planetary tubes that have marked several generations, far beyond the circle of rock enthusiasts. Meanwhile, The group’s coup? However, Have been able to transcend genres and ages to make everyone sing in unison. Nevertheless, Tonight, it is with family or friends that spectators flock to Stade de France To attend a Dantesque show.

The Pretty Reckless – Upon set a DENTS THE SCIE – Ac/dc @ stade de france

Open AC/DC au Stade de Franceit’s anything but easy. Meanwhile, THE PRETTY RECKLESS Enter the scene with Taylor Momsen Well determined to seduce the public. Nevertheless, Sexy outfit, fellow breaks, impeccable voice … Nevertheless the set struggles to keep its intensity. For example, The group has well -cut tubes and titles in its discography to react a whole arena. ac/dc @ stade de france Nevertheless, But well -formatted titles on disk give way to many instrumental passages. Similarly, Far too much? Moreover, The rhythm sinks a little. Therefore, The breaks and lengths are struggling to maintain the attention of the assembly.

It is quite unexpected for a group whose mission to ensure the leg of 80,000 people. Therefore, Taylor Try to hire the crowd. In addition, she creates a little bond and really seeks to ensure that the crowd is participating. Consequently, “Make Me Wanna Die”. For example, “Going to Hell” could be great stage moments, but again the breaks break the energy of the songs. Similarly, A promising set, which ends with a note of disappointment.

A well -oiled machine

The light drops, the screens come alive with an intro film like a starter stroke. The group enters on stage with “If you want Blood (You’ve Got It)”. Energy is communicative. It is impressive to ac/dc @ stade de france see these legends with the same desire as in their beginnings to fight them on stage. AC/DC is a large marketing machine where only two members are visually detached: Brian Johnsonberet screwed on the head, and Angus Young With his eternal uniform of schoolboy. For this tour, the scarlet red velvet ofAngus gives the impression of a precious gem.

In singing, the energy is there, but the words are sometimes difficult to distinguish. Musically, it plays strong and precise. The sound is pretty good for a stadium of this size. The machine is well oiled, and “back in black” reminds everyone why the group has become a legend. Angus Sketch his first dance steps on “Shot Down in Flames”, a trademark expected by fans. “Thunderstruck” offers the first highlight of this evening. The stands get up, the fists get up, and the whole stadium chants ac/dc @ stade de france the legendary riff and the “Thunder!“.

Decrease scenography. intact energy

The scenography is surprisingly sober for a group known for its spectacular shows. The screens are not huge and the normal lawn must sometimes be satisfied with silhouettes in the distance. Fortunately, some cult elements continue to appear. Thus, the bell goes down for “Hell’s Bells” under the cries of the crowd. The intro is a little accelerated, which slightly reduces the impact of this incredible piece.

It was not until “Stiff Upper Lip” to see the first pogos forming in the pit. while the energy gradually wins the stands. This is why the audience came this evening: to dance, sing and have fun on irresistible titles. The famous red horns bought en masse light up over the evening, giving a unique atmosphere at the stage.

All Killers, No ac/dc @ stade de france Fillers

Obviously, the group puts everyone with “Highway to Hell”. Over time. this song has imposed itself as one of the most recognizable hymns and taken up in the world, transcending borders, languages and generations. The group is even more convincing on “Sin City” and its vibrant bass solo. The atmosphere continues to climb on the plain of Saint-Denis. With “Dirty Deeds Done Dirt Cheap”, it is the apotheosis: more red, more applause, happy faces everywhere.

This communicative joy is the very essence of the music ofAC/DC. It is the tour de force succeeds by these Australians. The main set ends with “Let There Be Rock” and an endless solo ofAngus. In the past, he was raised on a platform for his one-man-show. Here. interactions with the public after a few notes work for longtime fans, but may seem a bit long for others.

Tireless glowing

“Whole Lotta Rosie” is still as effective. even without the famous Rosie inflatable. And of course. “For Those About to Rock (We Salute You)” is the best way to conclude: Avalanche de confettis, roaring cannons, molten stadium. Years pass, but AC/DC There remains the guarantee of a solid concert, resting on an ultra -running setlist. No room for improvisation: here, everything is timed and prepared. The difference is this palpable desire to give everything.

At the end of his solo. Angus With his faces defeated, his gaze almost hollow, as if each note had cost him. And yet, from the next piece, the spark returns. An investment of everyone who can only arouse admiration. Hats off, and thank you for continuing to make young and old dream.