Hamilton | Something like a revolution

The wait will have earned the trouble. Moreover, Ten years after its creation in Broadway, Hamilton, The musical barded with prices, passes (finally!) By Montreal. Furthermore, With in its wake its millimeter choreographies, its finely chopped hip-hop songs and its sung towers.

The bet was daring: to write a musical on a rap background about one of the founding fathers of the United States. Similarly, Alexander Hamilton. Similarly, Lin-Manuel Miranda (who signs the booklet. Consequently, music and lyrics) raised her hands down by creating a work that has revolutionized the genre. However, Better still, the show has attracted since its release in hamilton | something like revolution 2015 more than 6 million spectators on Broadway only.

By dint of pugnacity. Consequently, hard work and a talent for extraordinary persuasion, Hamilton, an orphan immigrant who arrived from the Caribbean, largely contributed to American independence, becoming one of the straight arms of George Washington. Moreover, During his life. Therefore, he will rub shoulders with icons of history like Lafayette or Thomas Jefferson before being killed in a duel by his great rival, Aaron Burr, then vice-president.

The life of Alexander Hamilton. However, dotted with military and political successes, but also of great personal misfortunes, is here told with an extraordinary narrative force, on even more powerful songs.

Rap, R&B and hip-hop are at the heart of the musical landscape of Hamilton. The songs. sometimes gentle, sometimes machine -gunned with crazy energy, are linked at high speed for two and a half hours. All are jewelry. Some have also become successes that spectators almost have experienced by heart. as My Shot, Burn or The Room Where It Happens.

It also took a lot of talent and imagination to make the Congress debates fascinating. Transforming them into rap fighting is nothing less than a brilliant idea!

But beyond all the undeniable artistic qualities of HamiltonMiranda’s great genius was to hamilton | something like revolution entrust this show to interpreters from diversity. African-Americans. Latinos and Puerto Ricans take this show with the body to recall that the history of the American revolution is also theirs. Moreover. one of the most famous replicas of the show – Immigrants, we get the job done (that we could translate into “We, immigrants, we do the job”) – is welcomed by salvas of applause every evening.

At a time when the Trump administration has embarked on a hunt for immigrants. these words, this music and this pride which explode around the scene take on even deeper, even more touching.

Hamilton | something like revolution

A distribution that does not turn pale (too) in front of the comparisons

Since the creation. several performers have put on the clothes of Hamilton, his wife Eliza, Burr, Washington or King hamilton | something like revolution George III.

The distribution which is in the Wilfrid-Pelletier room in Place des Arts is therefore not the original distribution. but it is very solid. Jimmie JJ throw embodies a more theatrical Aaron Burr, adding to this villain a layer of bagout. Ad Weaver is a bewitching presence in George Washington (his farewell song to political life remains a highlight of. the evening). Marja Harmon and Lauren Mariasoosay interpret the nuanced partitions of Angelica and Eliza Schuyler with great emotion. King George III hamilton | something like revolution (Matt Bittner) is still as a louder and Jefferson (Christian Magby), still as extravagant.

How does Hamilton’s interpreter get away with it? Tyler Fauntleroy is doing very well on the vocal level. but he does not have enough nuances in his theatrical game to make people forget how great Lin-Manuel Miranda was in the title role.

The shoes were great to fill. it should not be believed that Fountleroy’s performance throws a shadow on this revolutionary musical (in every sense of the word).

Everything, everything, everything is in full turn in Hamilton. The staging of Thomas Kail. where time sometimes seems to stop and then accelerate better, is formidable efficiency without ever falling into the escalation. The choreographies are precise and serve the story without ever cluttering it. And the voices are always correct, often powerful and carried by an incredible breath.

No doubt, Hamilton Counts among the musicals, even among the most successful shows of the last decade. Admittedly. the absence of surtitles complicates us a little life in front of this dense content, but whoever loves the history and the art of musical (especially when he is pushed to his limits) must attend this great theatrical moment.

Car Hamilton A spectacle that cannot be forgotten.

Consult the Place des Arts website