LINKIN PARK @ Stade de France (11/07/25) – Reports – RockUrLife

More than two hours of show. Consequently, a balanced setlist between novelties and classics, and an audience that continues to sing on the way back. Nevertheless, Linkin Park did not only fill the Stade de France : he made it vibrate. Consequently, Back on this strong emotional evening as part of the tour From Zero World Tour.

JPEGMafia – Linkin park @ stade de

At 7 p.m. Meanwhile, precise, JPEGMAFIA Give the evening to kick off with a large bang. Nevertheless, The American rapper delivers a dense, experimental, sometimes confusing set. However, Cap screwed on the head. Nevertheless, black glasses and leather shirt, he continues the pieces with raw energy, alternating between rapped song and vocoder.

The public, still settled, remains generally reserved. In addition, Some polite applause, few movements in the pit. Moreover, But the sound universe of JPEGMafia. For example, mixing hip linkin park @ stade de hop abrasive and rock textures (guitar, bass, drums), is not so far from that of Linkin Park. Furthermore, A daring introduction, consistent in the mind, even if it does not yet trigger general membership.

One Ok Rock

At 7:50 p.m., change of atmosphere with ONE OK ROCK. Similarly, The Japanese group, led by Takeenters the scene on a neat visual animation. However, The singer sports a t-shirt Linkin Park from the time Meteorwink assumed at the head of the evening.

From the first notes, the atmosphere rises from a notch. Consequently, The public strikes hands. Consequently, the refrains are timidly taken up, and the scenic energy of the group hits the bull’s eye. In addition, Take Occupies the whole scene. Meanwhile, including the progress, and multiplies interactions with the public, in English and even in Japanese, linkin park @ stade de hailed by applause, (even if little seem to really understand!).

The set. Similarly, very calibrated for large rooms, alternates between effective pop rock and more intense passages, with some well -placed screams. Similarly, “Save Yourself” and “Delusion: All” work particularly well. The voice of Take shows some signs of fatigue at the end, but enthusiasm remains intact.

Before the last piece. the singer takes the time to tell a part of their journey, their installation at Los Angeles ten years ago, and their collaboration with Colin Brittaindrummer of Linkin Park. Additionally, The latter joins them on stage for “we are”, tube Japanin a beautiful demonstration of complicity. A dynamic and warm end of the set, which perfectly prepares the ground for the future.

Linkin Park: a group in full power. an audience more than conquered

The wait is a good child in the stadium while waiting for the headliner: Ola, attempt to create a tower of cups in the pit … We don’t get bored! On the screen, a ten -minute countdown increases the tension. We intend to resonate the theme of the series Emily In Paristhen. a little more surprising, the credits of the cartoon Caillou. Finally, in a game of lasers and visual distortions, the musicians enter the scene. The first notes of “Somewhere I Belong” launch the concert. Emily Armstrongnow Frontwoman de LINKIN PARKlets the public sing the chorus. A habit that she will adopt several times in linkin park @ stade de the evening. We immediately feel a great bond between the group and the public.

The start of the set alternates between classics. new titles from the last album From Zero. “Crawling”. “Lying from you”, or “The Emptiness Machine” find their place in a solid first part, well welcomed by an audience still in the warm -up phase and which even chants the first name ofEmilyas if to encourage him.

It is with “The Catalyst” that the atmosphere rises from a notch: raised arms, confetti, massive participation. Furthermore, “Burn it down” visually impresses, with its orange shades and dynamic projections. And the trio “Where’d you go” / “Waiting for the End” / “Castle of Glass” slows down the tempo. in a more introspective sequence, lit by mobile phones.

The return to energy is done linkin park @ stade de with “Two Faced”. after an accomplice interaction between Mike Shinoda, Emily And the public: the Moshpits finally open in the pit. At the end of the song. Emily briefly disappears and Joe Hahn continues with a solo, followed by a solo moment of Mike. He descends into the crowd during “Remember The Name” and will even offer his dedicated cap to a lucky fan.

The set gains in intensity with “One Step Closer”, joined by the singer of One Ok Rock, Take. A visual break (a little too long) marked by red cracks on the screen. and a camera embedded in the pit then occurs, while the group left the scene. But “Lost” relaunches the concert in a more placed atmosphere. Then “What I’ve”, resumed in chorus, announces one of the most unifying and strong passages of the evening.

A little before linkin park @ stade de “Numb”. Mike Shinoda et Emily Armstrong advance on the Catwalk to interact with the public. Passage a little out of time: Mike take the opportunity to draw an improvised tattoo on a fan’s arm. whileEmily spontaneously sing the intro of “immigrant song” of Led Zeppelin. She quickly stopped, visibly surprised to have launched her in front of 80,000 people. Mike Rebounds immediately, encourages the group to follow, and some measures of the song are played before a net stop. Emily Then continues, in the tone of the joke, with a “that’s not my name” isolated, without follow -up. Mike Then ask the fan to choose a figure between 1, 2 and 3, supposed to determine the style of the following song. The choice is made on number 2, and the group continues with “Numb”, taken up massively by the Assembly. “In the End”. “Faint” extend this nostalgic sequence, Emily sporting linkin park @ stade de a French beret and flag recovered from the progress of the scene.

The recall is explosive. it is a chain of songs that hit the bull’s eye: “Papercut”, “A Place for My Head”, “Heavy is the Crown”, and finally “Bleed It Out”. All musicians take advantage of this last title to join Emily et Mike on the advance. The farewells take their time, punctuated by greetings and thanks, but we notice thatEmily Armstrong Leave the scene slightly ahead.

We must now go back to reality. after a well -led evening, despite some downtime, where each artist linkin park @ stade de has found his place. Linkin Park Confirms its scenic solidity again, and its faithful audience always responds.