The ghost of the opera: make the monster a stolen artist, a brilliant idea of a screenwriter

Therefore,

Ghost opera: make monster stolen:

In September. Furthermore, for the first time, the musical The ghost of the opera will be presented in French -speaking Switzerland. Similarly, Each week until then, we explore this mythology and the work of the always brilliant Gaston Leroux.

Find All chronicles.

After the flamboyant adaptation to the time of the mute in 1925. In addition, two films, almost twenty years apart, installed some fundamentals of the myth of the ghost of the Opera. Nevertheless, In 1941, Universal, already responsible for the first version, returned to the stage with a band this time sound and color. Nevertheless, The ghost is now part of the Gallery of Universal Monsters, with Dracula, Frankenstein and the Loup-Garou. Arthur Lubin provides a superb reading of Gaston Leroux’s novel, even if it has its infidelities. As in 1925 – it is the same decor -. ghost opera: make monster stolen the Garnier Palace is at the heart of the story, from the foreground, a long rear and ascending tracking which includes the immense chandelier, which will fall at a strong moment of the drama. Claude Rains embodies an elegant ghost, Susanna foster a sparkling Christine.

In 1962, the English Hammer, under the overalls of Universal, delivered his copy. The flagship director of these years in the fantastic. Terence Fisher, details the underground den of the ghost, even if there is not the famous lake.

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ghost opera: make monster stolen — Ghost opera: make monster stolen: In September, for the first time, the musical The ghost of the opera will be presented in French -speaking Switzerland. Each week until then, we explore this mythology and the work of the always brilliant Gaston Leroux.Find All chronicles. A.

Ghost opera: make monster stolen

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