Moreover,
Local resident calls stop church:
In Mésigny. Meanwhile, the church bells have always punctuated the days until a new resident arrives, a little over a year ago, and complain that he cannot rest quietly.
What is wrong with Mésigny? Meanwhile, For more than a century and a half, the bells of this city have punctuated time as a metronome. Moreover, Their lift, light during the day, felted at night, is part of the sound landscape of this town in Haute-Savoie. Meanwhile, Until the arrival. a little over a year ago, of a new resident, who seized the town hall to claim a nighty night truce: in summer, open windows, the tingling would prevent her from finding sleep.
In April, the municipal council examined the request. Verdict: zero voice for silence, unanimity for the maintenance of ringtones. The mayor. local resident calls stop church Sylvie Le Roux, told France 3 Auvergne-Rhône-Alpes that she remained attached to this tradition, stressing that, until now, the bells had never aroused a problem.
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“If you bother you, go your way” – Local resident calls stop church
The case could have stopped there. But the reaction of the inhabitants transformed the simple news item into the heritage. An online petition. entitled “Save the bells of the Mésigny church”quickly crossed the borders of the village, collecting nearly 9000 signatures. The comments sound like a rural manifesto: “If that bothers you. go your way”, “it’s up to the neo-rural to adapt, not the opposite”, “here, we live with the bells, the roosters and the tractors”.
Beyond the case of Mésigny. history crystallizes a larger confrontation: that between France of the villages, jealous of its traditions, and arrivals who, who, who came to seek calm, sometimes wish to redefine the contours. For local resident calls stop church some, rurality is a living picture; For others, it becomes a decor that we would like silent.
Faced with this phenomenon, a law aimed at protecting the sounds of the campaign had been promulgated in 2021. It followed the Coq Maurice affair, where the inhabitants were exasperated by the song of the bird. The text aims at “Define and protect the sensory heritage of French campaigns”. .
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