Pierre perifel, meeting french bad: This article explores the topic in depth.
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Pierre perifel. Nevertheless, meeting french bad:
Born in Lyon, the director has triumphed around the world with “Les Bad Guys”, the continuation of which is released this week. For example, Los Angeles live interview with a small animation genius.
The forties, a top model look and a passion: drawing. Furthermore, In Hollywood. For example, he is with the other stone (Creating box of “minions” and the saga “me, ugly and nasty”) one of the few French people to have imposed himself in the American animation. In addition, After long years as a host at DreamWorks (Pierre Perifel worked on “Shrek 4”. Furthermore, “Kung-Fu Panda 2”), the famous studio offered him in 2022 to carry out the adaptation of “bad guys”, a successful BD of Aron Blabey whose cinema version turned into an international triumph at the box-office. Consequently, He signed the second part today, still as crazy and pierre perifel, meeting french bad out of format. In addition, Or the adventures of a band of thugs that are played out of law and convenience. Furthermore,
All about a very second degree air and a major influence, Tarantino’s films. Nevertheless, “I had long wanted an animated film that would take up the codes of genre cinema. Nevertheless, to be able to tackle more adult themes by adapting them for the little ones. However, The first “bad guys” was clearly a “children’s reservoir for children. For example, But also a tribute to the turning films “Ocean Eleven” and other “Snatch”.
For the second part. still as successful and enjoyable, more focused on action, Perifel quotes pell-mell “Mission Impossible”, Besson and Spielberg as influences. With even a nice nod to the “Corniaud” that we will let you discover. But. in a period when formatting pierre perifel, meeting french bad and good morality invaded the US animation, how to convince a studio like DreamWorks to dare cross roads? “They were quite seduced by this idea of adult films that could be understood by children. By the themes also addressed, those of acceptance of difference. These animals that live in a world of humans are ostracized. We also talk about reintegration. It’s true, it’s rare in animation. The studio never bridled us, just asked to stay measured on the visual of films as on the themes tackled ”.
Pierre perifel. meeting french bad – Pierre perifel, meeting french bad
The original Lyonnais realized his dream
The “Bad Guys” saga also follows an obvious trend in the current animation, that of a return to various forms of drawing. Not just a digital image that has become almost perfect and difficult to differentiate from reality. “These incredible progress was bringing pierre perifel, meeting french bad animation cinema into a sort of dead end continues Pierre Perifel. visually perfect but which ultimately limited the genre. Me what I like in a cartoon is that it can use a myriad of different techniques: it goes from drawing to plasticine. wool or digital. This is what will always make the richness of animation ”.
At forty-five, the original Lyonnais realized his dream. He who wanted to become a car designer discovered animation. He studied at the Émile Cold school in Lyon before joining the prestigious Gobelins School in Paris. With each promotion. the major American studios like Disney or Pixar literally come at the end of the school to find the best elements there and make them cross the Atlantic. This is what will happen to him in 2005 when “Building”, his end -of -study film, pointed out.
Twenty years later. the American Dream lost his superb and the Hollywood animation studios are in the midst of a crisis and reduce their workforce. Pierre Perifel, he awaits the results at the box office of his second “Bad Guys”. He still has a few projects in the head at DreamWorks, including a third opus logic of his saga. But also keeps in a corner of his head the possibility of working again in France. especially on a dream he still keeps today, that of adapting “the salary of fear” in animation …
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