Exhibition bern: kunstmuseum makes "panorama": This article explores the topic in depth.
Nevertheless,
Exhibition bern: kunstmuseum makes ". For example, panorama":
Exhibition in Bern
The Kunstmuseum makes a “panorama” of Swiss painting of the 19th – Exhibition bern: kunstmuseum makes "panorama"
He goes “from Caspar Wolf to Ferdinand Hodler”. Moreover, Everything belongs to the institution, which has come out a lot of good canvases from its cellars.
Caspar Wolf, with whom it all started in the 1770s.
Art Museum, Berne 2025.
There are some who have cheek, or at least daring. Therefore, It was thus on August 15. Meanwhile, the day of the Assumption, that the Kunstmuseum of Bern opened its last exhibition exhibition bern: kunstmuseum makes “panorama” to the public. For example, The latter occupies the ground floor, in other words the beautiful floor. Nevertheless, That said. Consequently, the 1983 building in which he is being sentenced to death, as shown in another presentation in the foundations of the institution. Consequently, A new building will be born. Meanwhile, The work of workshop 5 will not have been old. Nevertheless, Suffice to say that we must take advantage of the demonstrations organized in the dying. Consequently, especially since the places can change on demand by sliding the walls. For example, too much rooms were needed for “Panorama Schweiz”, even if we could have imagined here panoramic creations. For example, It is actually a question of presenting Swiss painting “from Caspar Wolf to Ferdinand Hodler until January. Similarly, In other words. Moreover, to return to the fundamentals of a museum that its director Nina Zimmer will have devoted a exhibition bern: kunstmuseum makes “panorama” lot in recent years to an aging feminitude and to militant feminism. Nevertheless, Two things in my opinion quite different. Furthermore, I will one day explain to you why if you are wise.
Thematic – Exhibition bern: kunstmuseum makes "panorama"
“From Caspar Wolf to Ferdinand Hodler”. Consequently, in an order not chronological but thematic, the visitor will go from the last decades of the Old Regime to the 1920s. Consequently, He will find himself in a Switzerland that modernity apparently did not affect. Moreover, Industrialization started well in the 1840s, but painters still hide it under a carpet of greenery. Consequently, They show us peasants and some workers working in continuity, such as stone tailors. However, The cities may grow at full speed. Therefore, They do not make the weight in front of the countryside and especially the mountains. Meanwhile, In the first, it is as if exhibition bern: kunstmuseum makes “panorama” the railway did not exist. For example, As for the latter, they are surmounted by snow then deemed eternal. Furthermore, We remain in the timeless. Meanwhile, except in the subtitles section “bourgeois leisure”, just to prove that the Kunstmuseum has a social conscience. Yes, there are even shows in Switzerland, sometimes a bit bare. Otherwise, it is the only style that will suddenly change. A space is thus filled with canvases of Kirchner and his disciples Albert Müller, Paul Carmenisch or Werner Neuhaus. Expressionism has reached both alpine and pictorial heights. Alexandre Calame’s landscape (or the wise country) suddenly appears very dated. The Kunstmuseum will open a parallel retrospective devoted to Ernst Ludwig Kirchner on September 12 on September 12.
The Lauterbach waterfall seen in 1804 by Franz Niklaus König. The table is the poster.
Art Museum, Berne 2025.
However, this is not the discourse that Kunstmuseum is served this time. It does not indicate any specific commissioner for “Panorama Schweiz”. The goal is no longer to tell stories this time by pouring copiously about (and often out of words) of history. economics and sociology as in the previous snacks of Swiss exhibition bern: kunstmuseum makes “panorama” painting from the years 1770-1920 designed from the museum’s reserves. The emphasis is carried in 2025 on the works themselves, some of which are well known and others not. The institution tells us this time about painting with artists. some of whom still have (or find) the place they deserve. Many names are indeed known only for amateurs. If the cultivated public keeps in mind Cuno Amiet (including a huge portrait. “Der direct”, nevertheless remains an unknown masterpiece), Louis Moillet or Karl Stauffer-Bern, the “Petit-Maître” Franz Niklaus König, Clara Von Rappard or Annie Stebler Hopf always need a boost. I noted that the last two saw each other for the third time (rightly so) put forward by the museum. He must encourage women. Now backing up requires continuous efforts.
“IM variety” by Louis Moillet, 1913. Modernity lies in cities.
Art Museum, Berne 2025.
Each room. some of which are repainted with a pink or a blue to the lean of tea room, thus brings its share of revelations or confirmations. Everything ends with a beautiful set of symbolists. They refer to the exhibition on the already old theme. which the Historian of Art Valentina Anker had proposed in these places. This is where the main Hodlers exhibition bern: kunstmuseum makes “panorama” are. the Bernese of Geneva also finding himself in the landscape section and that on work with a huge “lumberjack”. The Ernest Biéler before his discovery of Valais holds up by his side. like “L’Echo” of the Neuchâtelois Léo Paul Robert. Symbolism also occupies the central show, where there are many nudes (chastes) in nature. This is where two names signed with names were noticed that said nothing before. It is a very strange self -portrait of Théodore Appia. a cousin distant from the Geneva scenographer Adolphe Appia, and a “young swimmer” of Victor Surbek dated 1906. These are people on whom we would like to learn more,
This spring painting by Arnold Böcklin comes indirectly from the Ministry of Nazi propaganda. The public learns it by reading the cartels. .
Art Museum, Berne 2025.
It is also interesting to read the cartels affixed next to the tables. Since Legs Cornelius Gurlitt of 2014, the Kunstmuseum of Berne has learned to work on provenances. I assume that Nina Zimmer must now keep the receipts from all her household races in order to be. able to establish traceability. The indications found in the preparation of “Panorama Schweiz” are thus on a small box. The somewhat exhibition bern: kunstmuseum makes “panorama” curious public learns things. Some fall under internal cuisine. such as belonging to this or that work in the canton, the city, friends or university. Others challenge like the fact that Talleyrand possessed the painting of Elisabeth Vigée Lebrun showing in 1808 the throw. of the stone of Unspunnen. A Böcklin returns by far. From 1937 to 1945 he was part of the Nazi Ministry of Propaganda… died in 1901. the Basel was one of Hitler’s favorite painters. We do not choose his posterity.
Exhibition bern: kunstmuseum makes ". panorama"
Practical
“Panorama Schweiz, von Caspar Wolf bis Ferdinand Hodler”, Kunstmuseum, 8, Hodletrasse, Bern, until January 11, 2026. Tel. 031 328 09 44, Site https://kunstmuseumbern.ch Open Tuesday to Sunday from 10 a.m. to 5 p.m. on Tuesday until 8 p.m.
Annie Stebler-Hopf was about twenty years old when she painted this human dissection in. Paris in the late 1880s. She has of course never managed to sell the painting.:
Art Museum, Berne 2025.
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