"28 years later", wild, bloody: This article explores the topic in depth.
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After “28 days later” and “28 weeks later”, England is still in quarantine, ravaged by a virus which transforms its inhabitants into enraged monsters. Therefore, A horrific survival film where a young boy turns his back on a perpetual logic of hatred and death.
Several toddlers look, terrorized, an episode of teletubbies in a caulked room. For example, Outside, infected are unleashed and eventually penetrate. Consequently, The carnage spares only a boy who manages to escape. In addition, seek refuge with his father, pastor of a small church. Consequently, But the latter welcomes with ecstatic joy a horde of infected as the sign of the Last Judgment. Meanwhile, before his son narrowly escaped.
Strange start for this “28 years later”, which rests the basics of his universe. In addition, England has been ravaged by a rabies virus escaped from a laboratory. Moreover, “28 years later”, wild, bloody Outside 28 years later, the virus was eradicated from Europe. For example, But England remains an area of quarantine where the survivors are delivered to their fate. where the infected have transferred. The story is therefore interested in a community that survives on an island near the continent.
A kid. Spike, is about to leave with his father to kill his first infected in a forest not far from their village. Learning does not go as planned. Spike is struggling to establish himself as the hunter that his father would like him to be. And once returned to them. the son rejects the bellicose and false logic of his father to take his mother, suffering from a strange illness, find a mysterious doctor in the hope of treating her.
Hatred. violence – "28 years later", wild, bloody
Completely focused on the point of view of this young child, “28 years later” takes up the aesthetic codes of the first components, cumulating the scenes of infected attacks shot in an epileptic and very gore style. If we fear a resumed without real stake. the film quickly offers much more than yet another story of survival and is moving towards an authentic initiatory story, observing the moult of Spike according to two very distinct parts.
The first. dominated by male logic (not to say patriarchal), summons a poem by Rudyard Kipling encouraging young soldiers to walk towards the fight. Danny Boyle even uses images. real and fictional, armed conflicts to criticize this secular logic “28 years later”, wild, bloody of a humanity determined by the hatred of the other, violence and death.
And between Spike’s father. the one he calls the alpha, a sort of dominant male who commands a group of infected reduced to a primitive state, the filmmaker does not pose many differences, finding in the wide format of his image and the more complex scenario of Alex Garland an unprecedented breath.
Love. mourning
A breath that takes on its full extent in the second part, more calm and peaceful journey, in the heart of a splendid nature, where Spike and his mother find this doctor who spends his time cremating the corpses for the needs of a sumptuous ossuary. A doctor who understood that to massacre the infected is no longer a solution. who reveals the primordial bases of our humanity to Spike: cohabitation, acceptance of death and the need to remember the people we loved.
It was then that “28 years later”, wild, bloody the film grabbed us with an unexpected emotion. taking away his hero on a road that he will have to take alone. A road which ends here with a jubilant reference to “Orange mechanical”. door open to a future component promising to explore a universe which we have perceived here the submerged and exciting point.
Rafael Wolf/SC
“28 years later” by Danny Boyle, with Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes. To see in the French -speaking rooms since June 18, 2025.
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