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At the Avignon Festival, the Théâtre du Réel at the highest with “The Pelicot trial” by Milo Rau

In apnea for four hours. Rarely we will have seen in the theater such a concentration, such a unison between actors and the public, such a feeling of the essential. Transpose on stage the pelicot trial required to live up to a historic judicial moment. It is not possible to say that this was the case, Friday, July 18, in Avignon, during this unique evening offered by the Swiss director Milo Rau: Historical, this Pelicot trial It will also be for theatrical art, and will remain in the annals as an exemplary of what a theater of reality can be.

How to bring in four hours of representation a legal process which took place for almost four months, from September 2 to December 19, 2024, and deeply shaken French society, and far beyond? How to avoid any spectacularization, all sensationalism? Milo Rau and his playwright, a deceased servane, respond with unfailing rigor, and absolute confidence in the powers of the theater, which has parted with justice since its Greek origins.

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piper.hayes
piper.hayes
Piper’s Chicago crime-beat podcasts feel like late-night diner chats—complete with clinking coffee cups.
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